![]() ![]() 2003, Larry Coryell in his album Joy Spring (The Swinging Side Of Larry Coryell).1998, Billy Taylor in the album Ten Fingers, One Voice.1996, Karrin Allyson in the album Collage.1995, Tito Puente in his album Tito's Idea.1994, Helen Merrill, in the tribute album Brownie: Homage to Clifford Brown.1993, Doug Sert in the album Joy Spring.1992, Arturo Sandoval in the tribute album I Remember Clifford with Ed Calle and again in 2003 in the album Trumpet Evolution.1989, McCoy Tyner in the album Things Ain't What They Used To Be.1985, Larry Coryell, Emily Remler in the album Together.1982, Freddie Hubbard in the album Born To Be Blue.1981, Stan Getz with his quartet in the album The Dolphin.1964, Joe Pass live version in the album Joy Spring.1960, George Shearing with his quintet in the live album On the Sunny Side of the Strip. ![]() 1958, Lem Winchester and Ramsey Lewis in the album A Tribute to Clifford Brown.1957, Oscar Peterson trio with Ray Brown, Herb Ellis At the Opera House.1955, version in the studio album Arranged by Montrose of Jack Montrose.In 1985 Jon Hendricks wrote a lyric to Brown's music and the song was performed and published by Manhattan Transfer on their album Vocalese with the title Sing Joy Spring. Absent any knowledge of jazz theory – and in particular, absent any knowledge of bebop articulations, phrasing, and the use of half-step progressions, tritone substitutions, and other musical features of the style – she began writing a thesis titled "Jazz versus the Arts." Max Roach, her friend who introduced her to Brown, took her aside and said: "Honey, the whole world is not built around tonic / dominant." He convinced her to the point that she became a jazz devotee. Larue Anderson, before marrying Brown, had been a classical music student at the University of Southern California. That take has been issued on several albums, including Jazz Messages ( Jazztone J-1281), Clifford Brown & Max Roach ( Pacific Jazz CDP 7 46850 2), and Jazz Imortal – Featuring Zoot Sims (1988 Pacific Jazz CDP 7 46850 2). ![]() Six days later (August 12, 1954), at the same studio, Brown, as leader, recorded Jack Montrose's arrangement of it with Stu Williamson ( valve trombone), Zoot Sims ( tenor sax), Bob Gordon ( baritone sax), Russ Freeman (piano), Joe Mondragon ( bass), and Shelly Manne (drums). Brown first recorded "Joy Spring" in a studio session led by him on August 6, 1954, at Capitol Recording Studios, in Los Angeles, with Harold Land (tenor sax), Richie Powell (piano), George Morrow ( bass), and Max Roach (drums). ![]()
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